My work explores the relationship between gender politics and counter-terrorism.
With influences as diverse as Munch and John Cage, new variations are synthesised from both traditional and modern textures.
Ever since I was a child I have been fascinated by the endless oscillation of the mind. What starts out as hope soon becomes manipulated into a dialectic of greed, leaving only a sense of decadence and the possibility of a new reality.
As temporal forms become transformed through diligent and critical practice, the viewer is left with a testament to the possibilities of our future.